Isekai Maou to Shoukan Shoujo no Dorei Majutsu | The Guardians | Charles Aznavour

Upgrade (2018) 1080p YIFY Movie

Upgrade (2018) 1080p

Set in the near-future, technology controls nearly all aspects of life. But when Grey, a self-identified technophobe, has his world turned upside down, his only hope for revenge is an experimental computer chip implant called Stem.

IMDB: 7.733 Likes

  • Genre: Action | Horror
  • Quality: 1080p
  • Size: 1.60G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 96
  • IMDB Rating: 7.7/10 
  • MPR: Normal
  • Peers/Seeds: 181 / 2371

The Synopsis for Upgrade (2018) 1080p

Set in the near-future, technology controls nearly all aspects of life. But when Grey, a self-identified technophobe, has his world turned upside down, his only hope for revenge is an experimental computer chip implant called Stem.

The Director and Players for Upgrade (2018) 1080p

[Role:]Rosco Campbell
[Role:]Richard Anastasios
[Role:]Logan Marshall-Green
[Role:Director]Leigh Whannell

The Reviews for Upgrade (2018) 1080p

I simply loved it...Reviewed byScott A. BrewerVote: 9/10

A Darkhorse underdog movie. Very disappointed movies like this don't get as much exposure as They should.Well written, polished. Great understanding using special effects to compliment not dominate.Would Definitely go see a Sequal.

one of the best balanced and most entertaining movies of the first half of 2018Reviewed byDave McClainVote: 9/10

"Upgrade" (R, 1:35) is an action horror sci-fi comedy written and directed by Leigh Whannell, writer of the "Insidious" movies, the early "Saw" films, plus "Dead Silence", and director of "Insidious: Chapter 3". This movie was shot in Australia and Whannell and most of his cast are Australian. However, with the accents and the sets, you wouldn't know the movie wasn't American - and with the (lack of) quality in the last two "Insidious" movies, you wouldn't guess that Whannell was behind this gem of a film.

Grey Trace (Logan Marshall-Green, looking a lot like Tom Hardy) is an "old school" auto mechanic in a near future where intelligent, driverless cars are increasingly commonplace. He's married to Asha (Melanie Vallejo), an employee at a high-tech company. They live in a house that's suitably high-tech as well, operating with voice commands and equipped with a powerful computer embedded in a table top. They're very happy... until one night when they're on their way back from meeting one of Grey's clients, a reclusive computer genius named Eron Keen (Harrison Gilbertson). Their car crashes and they get mugged. Asha is killed and Grey is paralyzed from the neck down, with only his mother to care for him.

Eron visits Grey and offers him the opportunity to regain control of his body, with the help of a neck implant called Stem. The surgery succeeds spectacularly, Grey signs a non-disclosure agreement and heads home, promising that, at least for now, it appears to the world that he's still a quadriplegic. Grey quickly learns that Stem can talk to him (as voiced by Simon Maiden). Given the lack of progress by a police investigator named Cortez (Betty Gabriel), Grey takes advantage of Stem's Alexa-on-steroids capabilities to find the men who killed his wife. Normally not a violent man, Grey finds himself overmatched by these men, who themselves are technologically enhanced, until he learns how Stem can also help him fight. But, alas, avenging his wife's death isn't as satisfying as Grey might've expected.

"Upgrade" is a very appropriate title, given some of the writer-director's mediocre movies - and as a comparison to other films in the AI subgenre. This one is a combination of "Deadpool", "Ex Machina", "Transcendence" and the "Bourne" movies, but still feels fresh and creative, visually and narratively. The occasional comedy comes from the combination of Grey adjusting to having Stem's cells in his brain and some gallows humor as he pursues his wife's killers. The film also features one of the best recent casts you never heard of. The high-quality cinematography, editing, acting, pacing, directing and screenplay (with some late-game twists) makes this one of the most balanced and entertaining movies of 2018. "A"

An analogue dude get's a digital upgrade to goes all Charles BronsonReviewed bya_chinnVote: 8/10

Logan Marshall-Green is Grey Trace, an analogue dude living in a near-future digital world, who makes his living fixing up old muscle cars. That is until he and his wife's smart car goes haywire, crashes, are they are robbed and left for dead. However, Grey was not killed and is instead left a quadriplegic. That is until one of his muscle car clients, an Elon Musk-like scientist/billionaire, offers to give him his life back with a chip implant that would put an artificial intelligence named Stem into his nervous system, which can make him mobile again and also allow him a chance to get revenge! Stem can also, with Gray's permission, take over his body to make him a deadly fighting machine (basically becoming Neo from "The Matrix"), which makes for a number of entertaining action sequences. So what's the tone of this film? Try to imagine if David Cronenberg had developed "The Six Million Dollar Man." (i.e. a near perfect marriage of smart body-horror and pulp sci-fi). Stem talk to grey in his head, where no one else can hear Stem, which is entertaining and reminded me of Don Johnson in "A Boy and His Dog" where Johnson's Vic and his telepathic dog Blood would talk to one another, where Grey and Vic are the the brawn and Stem and Blood are the brains of the duos. In terms of theme, "Upgrade" is clearly a cautionary tale of how we are allowing technology to integrate itself into our lives, in this case in the most extreme of ways. Grey talking to Stem, seeking help and advice, is not all that different from talking to Siri or Alexa and for assistance. The revenge film elements of the plot, with Grey working his way up the food chain of criminals to find out who's behind his wife's death, are pretty standard "Death Wish" stuff (including a pretty obvious twist ending), though the technology themed body horror elements of the story made that routine plot far more interesting. "The Crow" is probably a good comparison, which was also a revenge film at its core, but added supernatural and goth elements to jazz up the familiar plot device. "Upgrade" was written and directed by Leigh Whannell, who wrote "Saw" and "The Conjuring," so this film certainly delivers gore and suspense. The gory elements were shockingly fun to watch on the big screen, but later thinking about the movie, the excessive gore and violence really didn't add anything to the film outside of one scene where Grey can't bring himself to torture information out of his attackers and turns his body over to Stem to do it for him. The film's violence is really just gratuitous for it's own sake, which is not that different from most horror films, but this film seems smarter than that. My other knock on the film is that it never really delves too deeply into it's themes around the dangers of integrating technology into our lives and body modification. Whannell also throws in a few other completely underdeveloped cautionary ideas around virtual reality and other techno babble, which go nowhere. So overall, don't go into this film thinking it's anywhere as smart a typical episode of "Black Mirror." This film is pure pulp, but it's a wickedly fun pulp and left me wanting to see what writer/director Whannell will do next. "Upgrade" was produced by Blumhouse, who has again continued their streak of delivering smart above-average genre pictures ("Get Out," "Insidious," "The Purge," "The Belko Experiment," etc.), making this another must-see film for sci-fi/horror fans.

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